What if we recreated the sound of the planets at the exact time of our birth? How would that sound effect you?
Do you know your birth time?
Do you know the alignment of the planets at that exact time?
Can you track that sound down?
Do you dare listen?
The sky and its stars make music in you.”
Denderah Temple wall inscription, Egypt
I bet they add Earth tone in there somewhere as well.
Why is sound so important? Isn’t that just new age hyper-think? Why would it matter if we lived in sacred design or not? For one we would certainly leave an eternal time and space stamp. One that could be tracked down by a cosmic law, not just a global, state or military law.
“Sacred architecture is frozen music.” – Goethe
That’s an interesting statement Mr. Goethe. Reminds me of something.
As above, so below. What if we mirrored the platonic solid form of the octahedron within the form of the great pyramid and configured the layout of the known chambers into the bottom half. Would it tell us what lies below? Or would it tell us something else?
Where is the missing half? Down below, mirrored. On the Image of the octave scales, find the image of the pyramid. Now extend that down into a cube and watch the 3D effect. Keep trying until your perspective shifts enough for you to see how the image could become a 3D picture.
When you find it notice if you feel any PHYSICAL SENSATION within your body. Make note of that location specifically.
Now look at the square again but from a more direct straight on perspective. If you are following this you’ll notice when you stare straight on at where you formed your cube the image shifts again and becomes an octahedron.
A platonic solid.
In Euclidean geometry, a Platonic solid is a regular, convex polyhedron with congruent faces of regular polygons and the same number of faces meeting at each vertex. Five solids meet those criteria, and each is named after its number of faces.
Michael Hansmeyer’s Platonic Solids project explores how a purely operations-based geometric process can generate complex form.
Rather than studying the possibilities in combining numerous primitives, this project examines the potential inherent in a single primitive given an appropriate process. It takes the most primitive forms, the platonic solids, and repeatedly employs one single operation – the division of a form’s faces into smaller faces – until a new form is produced.
All of the forms shown are generated using the same single process, only the variables that control the process’ division operation are allowed to change. This single process affects both the form’s topography and topology. It influences attributes such as the degree of branching, porosity, and fractalization – just to name a few. The process also works at multiple scales: it affects not only the overall shape, but it determines the surface development as well as the generation of miniscule textures.
The resulting forms display a novel aesthetic and an astounding complexity that largely defies attempts at reductionism.
Imagine the sound of that. The computational architectural columns remind me of the ancient Hindu temples.
Notice the human body is on them? That would be because we are harmonious HUman technology, made of platonic solids.
The great pyramid is a map of how to connect the energies of the platonic solids into a harmonious tone with all that is, bound by cosmic law, that shows us the frequencies needed to bring balance and harmony to the Earth. It shows us what frequency based on its geometrical and musical scales. The Earth element is the cube. It is the missing half of the complete picture – the octahedron.
“Legend recounts how Orpheus was given a lyre by Apollo…by playing his lyre, Orpheus produced harmonies that joined all of nature together in peace and joy. Inspired by this Orphic tradition of music and science, Pythagoras of Samos conducted perhaps the world’s first physics experiment. By playing strings of different lengths, Pythagoras discovered that sound vibrations naturally occur in a sequence of whole tones or notes that repeat in a pattern of seven. Like the seven naturally occurring colors of the rainbow, the octave of seven tones”. – ‘The Harmonic Lyre’ by Stephen Ian McIntosh
They repeat in a pattern of 7. Like the seven naturally occurring colors of the rainbow. Like the octave of seven tones. What is the sound of the rainbow?
Watch the video on this link – the sound of OM http://www.spiritscienceandmetaphysics.com/video-this-is-what-the-sound-om-looks-like/
Did you see image of the multi-ringed circle forms towards the end of the video?
“Plato’s ‘Republic’ describes the cosmos as being held together by eight spinning ‘whorls’, like a giant spinning wheel with eight feminine weavers sounding the fabric of creation. Each of the whorls contained a planet, and on each planet was a siren singing her particular note, and emitting a specific color. “The diameters of the planets can be seen as corresponding to the strings of a lyre, in which case the note sung by a siren would be in accordance with the length of diameter of the planet she rode upon.” – John Michell ‘The Dimensions of Paradise’
Did the ‘sirens’ Plato speaks of sing the OM? Is this the sound of the planets NASA released? http://www.youtube.com/watch?v=UAPNfKADA7Y
Or perhaps it is the siren mermaids that used to come to the waters edge and sing their seductive songs?
When the Sirens were given a name of their own, they were considered the daughters of the river god Achelous, fathered upon Terpsichore, Melpomene, Sterope, or Chthon (the Earth. In Euripides‘ play, Helen , Helen in her anguish calls upon “Winged maidens, daughters of the Earth”). Although they lured mariners, the Greeks portrayed the Sirens in their “meadow starred with flowers” and not as sea deities. Roman writers linked the Sirens more closely to the sea, as daughters of Phorcys. Sirens are found in many Greek stories, particularly in Homer’s Odyssey.
Daughters of the Earth you say? Cubes? The Earth element? Are the songs hidden within the stories? the myths? that sacred chants, words of power, songs that show us how to open all the gates with the HUman technology that we are naturally without gadgets, tech support, or downloading apps.
“In ancient times, music was something other than mere pleasure for the ear: it was like an algebra of metaphysical abstractions, knowledge of which was given only to initiates, but by the principles of which the masses were instinctively and unconsciously influenced. This is what made music one of the most powerful instruments of moral education, as Kong-Tsee (Confucius) had said many centuries before Plato.” – G. de Mengel, Voile d’Isis
“According to Plato there are five mathematical sciences: (1) Arithmetic (2) Plane geometry, or the study of numerical proportions (3) 3 dimensional geometry, including the ‘Platonic Solids’ (4) Astronomy and (5) Music, which illustrates the harmonious composition of the universe.” – The Dimensions of Paradise’ by John Michell
I say to Plato…. add consciousness, intuition and synchronistic mysticism and prayer to that theory and watch what happens.
It is possible to bring about balance again within ourselves as humans, our surroundings, our living spaces, our creations, our food supply, our water, our minds, our spirits, our bodies, our fellow planet Earth inhabitants – all kingdoms, our relations, our communities, and into all of the cosmos since we are so intimately connected. With the resurrection of ancient sciences, mathematics, intuitive and biodynamic living. Along with the understanding of what laws we ultimately abide by.
This alignment would create patterns of higher technology meant to aid and sustain the frequencies of harmony for all.
There is a reason why music frequency was changed from 432hrz to 440 hrz and it is most definitely a conspiracy. Most music worldwide has been tuned to 440 hertz since the International Standards Organization (ISO) endorsed it in 1953. The recent rediscoveries of the vibratory / oscillatory nature of the universe indicate that this contemporary international concert pitch standard may generate an unhealthy effect or anti-social behavior in the consciousness of human beings. Could it be a form of containment for the human species?
A=432 Hz, known as Verdi’s ‘A’ is an alternative tuning that is mathematically consistent with the universe. Music based on 432 Hz transmits beneficial healing energy, because it is a pure tone of math fundamental to nature. It changes your crystalline water structure within.
There is a theory that the change from 432 Hz to 440 Hz was dictated by Nazi propaganda minister, Joseph Goebbels. He used it to make people think and feel a certain manner, and to make them a prisoner of a certain consciousness. Then around 1940 the United States introduced 440 Hz worldwide, and finally in 1953 it became the ISO 16-standard.440 Hz is the unnatural standard tuning frequency, removed from the symmetry of sacred vibrations and overtones that has declared war on the subconscious mind of Western Man.
In a paper entitled ‘Musical Cult Control’, Dr. Leonard Horowitz writes: “The music industry features this imposed frequency that is ‘herding’ populations into greater aggression, psycho social agitation, and emotional distress predisposing people to physical illness.” You just have to go out in the street and take a look around. What do you see? School kids, young adults on their way to work, a woman pushing her baby in a pram, a man walking his dog – and what do they all have in common? iPods or MP3 Players! Ingenious, isn’t it?
“If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.” -Nikola Tesla
The return of the proper harmonic frequencies on a large scale will rebalance all systems. Why would that peace and harmony be stopped? To much power in too few hands nowadays. To many industries dependent on sick and dis-eased people for profits. The freedom of form to evolve naturally with ease and flow would also allow for the development of higher forms of free energy, that includes humans.
The above images are Voxel-based Geometries: Cellular Automata. These voxels contain data that can interact with data of proximate voxels according to pre-established sets of rules. By iteratively conducting these interactions, data can be propagated through the voxel space. Eventually this data can be visualized, either as individual elements, or as a hull surrounding elements with specific values. http://www.michael-hansmeyer.com/projects/voxels_info.html?screenSize=1&color=0#undefined
We are looking at the release of the mind and of consciousness to access geometrical data in which the flow of information downloads naturally through our HUman technology – us. This communication and way of living was left to us by our ancestors who so deliberately left us the knowledge carved into stone.
We do have a purpose.
So if we can recreate the sound of our birth, or recreate the sound the pyramids left for us to decode, if we can submerse ourselves in the sound of that perfected form – perfected because it is harmoniously connected to all that is – what would it do to our bodies? How would it retune us? What would it open us too? What would it break down? What knowledge would we resurrect? What if we all turned our ipods on to ancient music, mantras, prayers, chants, 432hrz, sounds of nature instead……
All form is a structure. If everyone lived in a structure designed to enhance and utilize natures own harmony what would that do to our planet? our families? our continuation? our health? our vitality? our intelligence? our quality of love?